Caution:Artist at Play-Artwork by Shana Rowe Jackson

   I have to say one of my favorite things about being an artist is learning new techniques. The possibilities are endless, and there is always something new to learn, no matter how seasoned of an artist you are. I love the feeling I get when I read something or see something that I didn't know before, especially when it comes to a classic medium. Artists as a whole are innovative, we love to push the limits, experiment and see where things go. Because of this, on the internet and in books, you will find so much information just waiting to be learned, put there by generous artists who want to share their hard learned treasures with the rest of the world. No man is an island. This is especially true for fine artists, and a surprising reality for the self taught. Being self taught does not mean you do not learn from others, it's that you go and seek the information out for yourself instead of having it thrown at you in a classroom setting.    Recently I have been playing around

"Every portrait that is painted with feeling is a portrait of the artist, not of the sitter." -Oscar Wilde "My True Colors" Self Portrait, Colored Pencil and Marker © Shana L Rowe Jackson 2012   Portrait and figure painting is very exciting for me. There are many things to factor in, not only do you have the same challenges with composition and color mixing as with any other painting, but you also have the challenge of creating a likeness to the sitter. Likeness is not only shown in a persons face, but body language as well, so it is important to pay attention to both in order to capture a persons essence. Likeness paintings can come in many shapes and sizes, they can be of one person, many people or even of pets (just because it's a Dalmatian doesn't mean it looks like all Dalmatians). Whether you are doing a close up (shoulders up [Portrait]) or far away (whole body [Figure]) view, likeness is very important. Looking at the painting below you