Caution:Artist at Play-Artwork by Shana Rowe Jackson

   My art supply obsession struck again! I just couldn't resist trying these. I actually first saw the Faber-Castell Albrecht Durer Watercolor Markers online a few years ago and had them on my wish list ever since. A few months ago I treated myself to the set of 20 and just got the chance to finally sit down and try them!    I absolutely love Faber-Castell's other products, their Polychromos are one of my go-to colored pencils and their Pitt Artist Pens are one of the only markers I will use in fine art. They make fantastic watercolor pencils, also under the Albrecht Durer name. A fun thing about Faber-Castell is that all their color lines match, which means if you love a color in one of their lines you can get it in all their other supplies too! So, I was super excited to see that they also offered watercolor markers and was eager to try them.    The only thing is, I had next to no experience with watercolor markers as a medium. I decided I would take what I know from w

   What can I say? I'm guilty. I am guilty of buying sketchbooks, using them a few times and then casting them aside. It's not that I am not into creating. Quite the contrary, I think it's the fact that I am so focused on making finished pieces that can can be hung on a wall, that I don't have much time for anything else. Most of the time I do realism which takes a lot of time, leaving me less time to work in a sketchbook.     I see my sketchbook as a place to explore and be creative. A place where I don't necessarily have to work realistically or "perfectly" (as if perfection actually exists.) It's also a place to work out ideas for larger paintings, or to just do some quick, gestural, from life sketches. So to me, there is a lot of use for sketchbooks, yet I rarely make time to use them. That being said, I recently went through my abandoned sketchbooks and found some hidden gems. A couple of highlights are pictured here.    What sparked me looking at

   1.   Start small! Start with an item and draw it everyday until you are confident. When you first do a full picture start with a small canvas so you do not feel overwhelmed.     2.   Break your piece down into individual sections, this will also help you “see” what you are drawing instead of what you think you should see.    3.   Realism is like a puzzle made up of small abstract shapes. Train your eye to look for those shapes.    4.   Do not be afraid to push your values! High contrast usually makes for a more interesting image!!    5.   When starting out, if you struggle with color, work in black and white to get a feel for detail and values. You can always glaze later if you want to.     6.   When working in color, use a view finder if you are having trouble figuring out what color you are trying to recreate. Take a white piece of paper, punch a hole in it and put it up to your reference, this will help you to identify the color more easily.  

Here are some tricks I that have helped me over the years!           1.        Use a thermos, travel mug or water bottle for your beverage while painting. This way you do not have to worry about dipping your brush into your drink, and it lessens the risk of your drink being spilled all over your project.    2.        If you do not like using harsh chemicals such as turpentine to clean your brushes there is a product called “The Masters” Brush cleaner that works great for Oil, Acrylic and Watercolor. They also have hand soap and a marvelous stain stick. If you are short on cash Dawn dish soap works well for brushes, even oil brushes. Dish soap is made to cut grease so works well for oil paint, it may take a bit longer than traditional brush cleaners but you are likely to have it on hand, it’s cheap and more importantly safe. Some shampoos may also work for the same reason.    3.        If you have been drawing intensively for a long period of time and have an